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Trey Songz
  • R&B

Trey Songz Moves Through Love and Regret on “Lost In Time” and “Gimme a Chance”

  • May 5, 2025
  • Marvin Twiggs
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Fresh off The Millennium Tour’s last stop, singer Trey Songz pulls the walls in closer with two slow-cooked releases, "Lost In Time" and "Gimme a Chance." Though they differ a bit in their approach, both cuts pull from the same well—raw heart, quiet rooms, and beats that slink through the air like smoke curling from a blown-out match.

"Lost In Time" finds him wading through the stillness; his tenor floats right on top of a bed of synthy organ chords and up-front finger snaps in the song's early moments. Riding the quiet like a long exhale, his voice falls soft into the beat's open spaces. Every falsetto stroke feels half-lit and heavy with the strain of watching a love that once roared slowly reduce to embers. When he breathes out, "Feels like we been running in place, lost in time," the words linger in the room like something already slipping away. The drums knock low and slow, the hi-hats skate cold and bright across the cracks, filling the space without ever crowding it.

"Gimme a Chance" picks the pace up without shaking loose the mood. The boxy drum break clicks in with a dry snap, ghosted vocal layers swirling underneath like muffled howls from the wind. Trey veers into a sharper, street-sweet melody—half-rapping, half-serenading with a frosty bravado. He rides the stripped-down groove with a hand-rolled flow that's wired tight with want. And when the grand piano chords swell up around him in the choruses and he pleads, "Gimme a chance, gimme a chance, oh girl," the track's restless and racy honesty locks into place.

Both drops hit with a nice late-night-beyond-the-lights energy, just in notably different ways. Songz definitely knows how to build R&B numbers that mix love, lust, regret, raunchiness, and everything in between.

Connect with Trey Songz: Instagram | Facebook | TikTok | X (Twitter) | Website

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Related Topics
  • rnb
  • Trey Songz
Marvin Twiggs

Marvin is a music writer focused on sound, substance, and everything soul music related. He covers hip-hop, R&B, soul, and genre-defiant pop—often with a spotlight on rising independent talent. Rooted in the South but writing with a global ear, his reviews lean into the details. He’s got a soft spot for music that lingers and a bias toward artists who bring more to the table than just a beat and a hook. marvin.twiggs@outlook.com

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