Pamela Hopkins is back, and she came in hot with fervor in her bold and brassy new single, “Me Being Me.” It’s a nitrous-injected, soul-baring anthem that grabs it by the collar and dares you to turn away. From its opening beat, it’s clear this is about playing true.
Performed with razor-sharp lyricism and an explosive musical landscape, Hopkins gives one of his rawest and most gallant performances. “Me Being Me” is a mantra, a fist in the air proclamation: take it or leave it, this is not only breaths but sweats and spills and dances and grinds and growls and plays out every sweaty, grimy note and every pounding stomp of the rhythm of life.
The magnetic energy pulsing through this track, courtesy of sizzling guitars and a beat that never relents. Hopkins’s voice yowls and angles with a persuasive drawl that falls right in the chasm between country grime and rock strut. “But what makes ‘Me Being Me’ stand out is the spirit. It’s just the kind of song that has you rolling the windows down, turning up the volume, and singing along at the top of your lungs like it was written just for you.
At its heart, this song is about letting go of the weight of judgment and living authentically rather than seeking approval. It is for the weirdoes, the rebels, the people who have been told that they are “too much” or “not enough.” Hopkins takes that narrative, turns it on its head, and gives it back with a wink and a drop of the mic.
“Me Being Me” is an attitude. Pamela Hopkins at her most defiant, most electric, and most real. And in a world that always seems, when it comes to the media, at least, to want to pigeonhole us, that honesty feels like a breath of fresh, whiskey-tinged air.
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