EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Album Reviews
  • Alt-Pop
  • Alternative

Knife Girl takes a nonconformist journey through genre with the warped and wonderful 'Metro' EP

  • July 12, 2021
  • Robin Fulton
Total
0
Shares
0
0

Undoubtedly overflowing with creativity, Finnish artist Lili Aslo, or Knife Girl, is yet to let one style define her, a fact made evident by the kaleidoscopic musical metamorphosis her sound has undergone since embarking on this journey at just 15 years of age. Now 20, a new chapter sees a great stride forward, shifting away from the more organic, left of centre indie-meets-electro sounds of her previous moniker, Olli, to the more synth-driven, and overall resounding personality of Knife Girl.

Whilst there are still echoes of previous works throughout this fundamentally debut project, Metro is a decidedly fresh foray from an artist who continues to effortlessly explores genre with her articulate creative identity weaving together typically disparate themes in a manner entirely her own. Nonchalantly, she offers in an email statement that, “I've compiled some songs I recorded at home the past year for this EP. Some are more goofy than others, but they all represent some part of me.”

First up is the title track, "Metro," which is a dizzying mix of unrelentingly upbeat rhythms, grooving bass lines and slick guitar licks that are compellingly offset by the eery textures and bordering on a haunting, reverb-drenched vocal. On paper, it might sound as if those two marked themes wouldn't gel, but in this instance they do, with the hooky vocal melody playing off that union with sardonic aplomb.

The lead single, "give it 2 yu," follows, and a theme that's perpetuated throughout the EP rises to the surface, which is that it subtly subverts expectations at every turn; whether it's lyricism or sonics, it opposes the typical formula and offhandedly overturns them with wonderfully warped finesse. "For the sound of that track," Aslo elucidates, "I took inspiration from various disco-funk records from the 1980s. Lyrically it's a parody of the sexual and objectifying lyrics you would often find in those records.”

"How U Really Feel" continues in the same vein, with an affably jovial production that harkens back to iconic electro-pop sounds, and whilst in any typical instance, the lyricism would perpetuate that motif, it delivers an introspective lyrical narrative of interpersonal connection and love lost instead. The penultimate track, "in Da summer," employs a hypnotic guitar loop and off-kilter thudding rhythm to slow the pace of the project, romanticising the freedom of youth and intertwining it with the uncertainty of the future as she goes. 

Concluding with "if you leave me now," Knife Girl delivers her version of a heartbroken ballad, with the pounding drums steadily marching on alongside the otherwise wholly tranquil ending.

Metro is available now via Soliti / Playground Music.

Connect with Knife Girl: Instagram | Twitter | Spotify

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • helsinki
  • Knife Girl
  • Metro EP
  • Music from Finland
Robin Fulton

Previous Article
  • Afrobeats
  • Alternative R&B
  • Hip-Hop
  • Music Videos
  • Rap
  • Videos

Igwe Aka shares vivid new visual for "iCarly" [Video]

  • July 12, 2021
  • Jacob Saltzberg
View Article
Next Article
  • Indie Pop

Alto Key promises "things will change" on euphoric return

  • July 12, 2021
  • Robin Fulton
View Article
You May Also Like
View Article
  • Alt-Pop
  • Alternative
  • Indie
  • Indie Pop
  • Indie Rock
  • Pop

Three love songs to celebrate your weekend

  • February 20, 2026
View Article
  • Alt-Pop
  • Indie Pop
  • Mainstage
  • New Music
  • Synth Pop

Grace Kay & Kirsten Izer turn self-doubt into a dancefloor anthem on “WHY AM I LIKE THIS”

  • February 20, 2026
View Article
  • Alt-Country
  • Alt-Pop
  • Music Videos
  • New Music

Lana Del Rey conjures Southern Gothic magic on "White Feather Hawk Tail Deer Hunter" [Single + Music Video]

  • February 19, 2026
ryan john clary
View Article
  • Album Reviews
  • Alt-Pop
  • Indie Pop
  • Indie Rock
  • Pop

ryan john clary shines with "Sunflower Lemonaide.," an album of heartfelt depth

  • February 19, 2026
Rich Delinquent
View Article
  • Alt-Pop
  • Alternative R&B
  • Indie
  • Pop
  • R&B
  • Trap

Rich Delinquent releases cinematic vibes with new EP "Heartbreak Afterparty"

  • February 19, 2026
Moniah
View Article
  • Alt-Pop
  • Dreampop
  • Indie Pop

Moniah offers a reflective journey of emotional waves in "Love You Twice"

  • February 19, 2026
View Article
  • Alternative

Hypnogaja encapsulate confidence and control on 'My Dreams Have Teeth'

  • February 18, 2026
View Article
  • Acoustic
  • Alt-Pop

<3peace. heals through harmony and resilence in "TRAUMA BOND"

  • February 17, 2026
Popular Music
  • Rapper Deveye puts NY on notice with declaration single "New"
    • February 20, 2026
  • Three love songs to celebrate your weekend
    • February 20, 2026
  • Boxing Club stake their claim with 'What’s the State Done to You?' [EP Review]
    • February 20, 2026
  • Liam L Joseph is the sound of raw, authentic soul on lush new single "Made For Me"
    • February 20, 2026
  • Grace Kay & Kirsten Izer turn self-doubt into a dancefloor anthem on “WHY AM I LIKE THIS”
    • February 20, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.