EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Alternative
  • Indie

Madeline Kenney plays the role of a “Sucker” on stirring new single [Video]

  • May 26, 2020
  • Sean Kayden
Total
0
Shares
0
0

Oakland, California-based singer-songwriter Madeline Kenney has shared “Sucker,” the first single off her newly announced third album Sucker’s Lunch. The new endeavor, featuring vocals from Lambchop’s Kurt Wagner, is an elegant affair dancing around an askew guitar, lush synths, and multidimensional harmonies.

Kicking things off with “Sucker” as the introduction song, Kenney comes off with a more nuanced approach. The song feels cautiously put together yet expands upon her intricate methods of vibrant harmonies, layered guitars, and exceptional songwriting found on past outings. “Sucker” displays another side to Kenney’s unwavering artistry with a dynamic rhythmic section and lithe vocals culminating into a restorative development. Propelled by reflective lyrics that tell a story of self-realization, the sonic vibe here elicits deep-in-thought scenarios for listeners at hand. With the united forces of strong lyricism and beautiful melodies by the support Wye Oak’s Jenn Wasner and Andy Stack, “Sucker” places Madeline Kenney into a fortifying sonic territory that speaks to us in any language we desire to hear.

Over email, Kenney says about the making of “Sucker,” "When I lived in Durham, I found myself sitting in the sun on the porch with a musical hero of mine, who was worried about losing their healthcare and not being able to afford to tour. It blew my mind and broke my heart that such a genius had to struggle with uncertainty in trying to make their art. I wrote 'Sucker' when I realized that all of us continue to make art, and fall in love, and attempt things that logically could fall apart at any moment, but we are fools for the game and keep producing, keep pursuing. I asked Kurt Wagner to sing on the track because I feel like he is consistently brave in his songwriting (and I'm a HUGE Lambchop fan). When he sent me the stems, I drank a martini and cried.”

Regarding the track’s accompanying music video, Kenney went on to say, “I'm a huge fan of con-movies; my favorite film is Paper Moon. I wanted to direct a video that put me as the con-man, whose existence relies on making suckers out of passers-by; but ended with me being the biggest loser of all. I lucked out when my favorite Oakland diner, Lois the Pie Queen, let us film on location."

Sucker’s Lunch follows her 2018 sophomore LP Perfect Shapes. Wye Oak’s Jenn Wasner and Andy Stack produced the forthcoming record that will arrive on July 31 via Carpark Records.

Connect with Madeline Kenney: Spotify | Instagram | Twitter 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Madeline Kenney
  • Sucker
  • Sucker's Lunch
  • Wye Oak
Sean Kayden

Previous Article
  • Alt-Pop
  • Pop

BabyJake teases his new project with the release of his summer-soaked single, "MadHappySad"

  • May 26, 2020
  • Valeria Dulava
View Article
Next Article
  • Pop

Gia Woods doesn't want to be "NAIVE"

  • May 26, 2020
  • Emily Treadgold
View Article
You May Also Like
View Article
  • Alternative
  • Alternative Rock
  • Folk Rock
  • Indie Rock
  • Mainstage
  • New Music
  • Singer/songwriter

Beck Zegans unleashes her anger on debut album 'Engraving of Armor'

  • June 1, 2026
View Article
  • Alt-Pop
  • Electro
  • Experimental
  • Indie
  • Mainstage
  • New Music
  • Punk

Louie El Ser channels frantic electro-punk energy on new single "Perra (i wanna be your dog)"

  • June 1, 2026
View Article
  • Alt-Pop
  • Dark Pop
  • Experimental
  • Mainstage
  • New Music

Magdalene teams up with Current Joys for new alt-pop mash-up single "Red Siren Pick Up"

  • June 1, 2026
View Article
  • Indie
  • Indie Rock
  • Mainstage
  • Shoegaze

sadplanet capture the highs and lows of a fading friendship on “please”

  • June 1, 2026
Casey Lipka
View Article
  • Americana
  • Feature
  • Folk
  • Mainstage
  • Pop
  • Reviews

Casey Lipka explores the art of meaningful connection on new EP "Giving It Time"

  • June 1, 2026
The Librarian Sisters
View Article
  • Feature
  • Rock
  • Shoegaze

The Librarian Sisters channel reflection and emotion in new single "Sorrow"

  • June 1, 2026
e.lissa faden
View Article
  • Alt-Pop
  • Feature
  • Mainstage
  • Rock

"Just Might" by e.lissa faden shines bright as an anthem of identity, confidence, and joy

  • June 1, 2026
Drew Davies
View Article
  • Alternative Rock
  • Feature
  • Indie Rock

"La Revanche" marks a bold new era for Drew Davies

  • June 1, 2026
Popular Music
  • Beck Zegans unleashes her anger on debut album 'Engraving of Armor'
    • June 1, 2026
  • Louie El Ser channels frantic electro-punk energy on new single "Perra (i wanna be your dog)"
    • June 1, 2026
  • Casey Lipka
    Casey Lipka explores the art of meaningful connection on new EP "Giving It Time"
    • June 1, 2026
  • Samantha LaPorta
    Samantha LaPorta turns memory into a living atmosphere on "Flora-Bama"
    • June 1, 2026
  • Magdalene teams up with Current Joys for new alt-pop mash-up single "Red Siren Pick Up"
    • June 1, 2026
Recent Scoops
  • Amanati blends sound and style with immersive ease
    • May 30, 2026
  • YVNGBRYYY channels honesty, faith and spirituality into his genre-fluid soundscapes
    • April 2, 2026
  • Rising YouTube talent bigboyz is turning viral streams into hit records
    • March 23, 2026
  • Winter Music Conference expands 2026 programming with Sara Landry, Radio Slave, DJ Minx, Danny Tenaglia
    • February 26, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.