EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Alternative
  • Indie

Madeline Kenney plays the role of a “Sucker” on stirring new single [Video]

  • May 26, 2020
  • Sean Kayden
Total
0
Shares
0
0

Oakland, California-based singer-songwriter Madeline Kenney has shared “Sucker,” the first single off her newly announced third album Sucker’s Lunch. The new endeavor, featuring vocals from Lambchop’s Kurt Wagner, is an elegant affair dancing around an askew guitar, lush synths, and multidimensional harmonies.

Kicking things off with “Sucker” as the introduction song, Kenney comes off with a more nuanced approach. The song feels cautiously put together yet expands upon her intricate methods of vibrant harmonies, layered guitars, and exceptional songwriting found on past outings. “Sucker” displays another side to Kenney’s unwavering artistry with a dynamic rhythmic section and lithe vocals culminating into a restorative development. Propelled by reflective lyrics that tell a story of self-realization, the sonic vibe here elicits deep-in-thought scenarios for listeners at hand. With the united forces of strong lyricism and beautiful melodies by the support Wye Oak’s Jenn Wasner and Andy Stack, “Sucker” places Madeline Kenney into a fortifying sonic territory that speaks to us in any language we desire to hear.

Over email, Kenney says about the making of “Sucker,” "When I lived in Durham, I found myself sitting in the sun on the porch with a musical hero of mine, who was worried about losing their healthcare and not being able to afford to tour. It blew my mind and broke my heart that such a genius had to struggle with uncertainty in trying to make their art. I wrote 'Sucker' when I realized that all of us continue to make art, and fall in love, and attempt things that logically could fall apart at any moment, but we are fools for the game and keep producing, keep pursuing. I asked Kurt Wagner to sing on the track because I feel like he is consistently brave in his songwriting (and I'm a HUGE Lambchop fan). When he sent me the stems, I drank a martini and cried.”

Regarding the track’s accompanying music video, Kenney went on to say, “I'm a huge fan of con-movies; my favorite film is Paper Moon. I wanted to direct a video that put me as the con-man, whose existence relies on making suckers out of passers-by; but ended with me being the biggest loser of all. I lucked out when my favorite Oakland diner, Lois the Pie Queen, let us film on location."

Sucker’s Lunch follows her 2018 sophomore LP Perfect Shapes. Wye Oak’s Jenn Wasner and Andy Stack produced the forthcoming record that will arrive on July 31 via Carpark Records.

Connect with Madeline Kenney: Spotify | Instagram | Twitter 

Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Madeline Kenney
  • Sucker
  • Sucker's Lunch
  • Wye Oak
Sean Kayden

Previous Article
  • Alt-Pop
  • Pop

BabyJake teases his new project with the release of his summer-soaked single, "MadHappySad"

  • May 26, 2020
  • Valeria Dulava
View Article
Next Article
  • Pop

Gia Woods doesn't want to be "NAIVE"

  • May 26, 2020
  • Emily Treadgold
View Article
You May Also Like
View Article
  • Alt-Pop
  • Mainstage
  • New Music
  • Rap

KhakiKid hooks listeners with the addictive “Moved On” [Video]

  • November 7, 2025
View Article
  • New Music
  • Post-Punk
  • Punk

Scattrbrain unleashes raw punk energy on “Bombs Away”

  • November 7, 2025
View Article
  • Afrobeats
  • New Music
  • R&B
  • Soul
  • World Music

Matreya radiates light and soul on “Be Love”

  • November 7, 2025
View Article
  • Alt-Pop
  • Alternative

The Open Wild find light in the darkness on stirring new single “Escape”

  • November 7, 2025
KLAXX
View Article
  • Electronic
  • Indie
  • Mainstage
  • New Music
  • Pop

KLAXX and San Holo deliver a cinematic rush of sound and emotion with “i feel ALIVE” [Premiere]

  • November 7, 2025
View Article
  • Alt-Pop
  • Indie

Estella Dawn channels raw emotion on “Conversations” [Video]

  • November 6, 2025
View Article
  • Indie Pop
  • Indie Rock
  • Mainstage
  • New Music
  • Punk

"La Santa Compaña" is folklore with a Las Gargantas twist

  • November 6, 2025
View Article
  • Alternative
  • Metal
  • Rock

Violet Orlandi unleashes raw, cinematic new album 'Birdeater' [Album Review]

  • November 6, 2025
Popular Music
  • KhakiKid hooks listeners with the addictive “Moved On” [Video]
    • November 7, 2025
  • Scattrbrain unleashes raw punk energy on “Bombs Away”
    • November 7, 2025
  • Matreya radiates light and soul on “Be Love”
    • November 7, 2025
  • Sound of Fractures fights against the doomscroll in new release "I Wanna Get Back"
    • November 7, 2025
  • KLAXX
    KLAXX and San Holo deliver a cinematic rush of sound and emotion with “i feel ALIVE” [Premiere]
    • November 7, 2025
Recent Scoops
  • Winter Music Conference returns to Miami Music Week with new home for 2026
    • November 6, 2025
  • Simone Feroci establishes his towering presence in the world of bass guitars with hopeful track "California Forever"
    • October 30, 2025
  • UK Festivals Wrapped Up: A diverse weekend of music, food and culture
    • October 2, 2025
  • DNORRI is a breakout voice built for musical resonance and connection
    • September 25, 2025
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.