EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
EARMILK EARMILK
EARMILK EARMILK
  • NEW MUSIC
    • DANCE
    • ELECTRONIC
    • EXPERIMENTAL
    • HIP-HOP
    • INDIE
    • POP
    • ROCK
  • INDUSTRY NEWS
    • DOCUMENTARIES
    • EVENTS
    • FASHION
    • LIFESTYLE
    • MUSIC GEAR
    • MUSIC INDUSTRY
    • TECHNOLOGY
  • OPINION
  • ALBUM REVIEWS
  • GEAR REVIEWS
  • INTERVIEWS
  • FEATURES
    • FESTIVALS
    • EXCLUSIVES
    • LISTS
    • CONTESTS
    • Photo Journals
  • SERIES
    • Artist to Watch
    • Under The Crust
    • Flashback Friday
    • Suicide Sundaes
    • Daily 2%
    • The Club
    • Weekend Selector
    • Mashup Mondays
    • Artist Remixed
    • Wobble Wednesday
    • Night Rumours
    • Indie Sabbath
    • Straight No Chase
    • Straight From the Teet
  • Hip-Hop
  • Rap

Michael Christmas wonders why you're so "Salty"

  • October 9, 2014
  • James Elliott
Total
0
Shares
0
0

The spooky Pipe Organ chords that begin Michael Christmas' "Salty" may at first listen seem completely irrelevant and unrelated to the rest of the track proceeding it, like the funny adlibs the emcee randomly throws out from time to time. Somewhere around the fourth or fifth listen, an image of a menacing Phantom of the Opera appeared out of thin air; a mischievous hidden figure, whose only mission in life was to make yours a living hell—and then shrug his shoulders while giving your teary face an incredulous stare. It is a funny character for sure, albeit a strange one, but it still transforms the absurdity into sheer gut wrenching brilliance. 

[soundcloud url="https://api.soundcloud.com/tracks/170764170" params="color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

If someone were to say that, that was thinking way too much about this slapstick song, they may have a point. Michael Christmas' entire agenda on this track is to insight rage through inquiring, quite condescendingly, why his detractor is so "salty"? "Why you mad bro?" has led to countless amount of bar fights, family feuds, and one of the greatest interviews of all time (thank you Cam'ron). Saying those four words, during the heat of an argument, is equivalent to begging your opposition to smack your kufi sideways. Christmas is well aware of these factors and exploits them in the funniest of ways. 

While his lyrics will make you chuckle as you listen, you have to unpack them to really understand their depth. Christmas doesn't sacrifice lyrical ability for humor in the slightest, he packs everything into one package. "Got some white folks take care of me, like to call Mr. Drummond/cause that shit funny to me, that shit funny," his fusion of experimental rhyme structure and pop cultural references makes it hard to not nod your head and relate to his lines. 

"Salty" brought up an image of an annoying Phantom of the Opera in this writer's mind, but it might do something entirely different to your imagination. It's a great piece of…something, because Michael Christmas still hasn't decided if he makes art or not. Either way, you should definitely give it a spin, you will not be disappointed. 

  • Michael Christmas on Soundcloud
  • Michael Christmas on Songkick
  • Michael Christmas on Twitter
Total
0
Shares
Share 0
Tweet 0
Share 0
Share 0
Related Topics
  • Michael Christmas
James Elliott

Previous Article
  • Deep House
  • Electronic
  • House

RÜFÜS DU SOL goes deep for remix of ZHU's "Paradise Awaits"

  • October 9, 2014
  • Mike Waite
View Article
Next Article
  • Experimental
  • Jazz

Badbadnotgood drapes us with "Velvet"

  • October 9, 2014
  • Phillip Yung
View Article
You May Also Like
View Article
  • Alternative R&B

La Leurentop is at her vulnerable and sensual best on new single "QUEEN"

  • February 18, 2026
Marcus432
View Article
  • Feature
  • Hip-Hop
  • New Music
  • Rap

Marcus432 reclaims the spotlight with “Sorry Not Sorry” featuring Lil Pump

  • February 18, 2026
View Article
  • Alternative R&B
  • Downtempo
  • Electronic
  • Industrial
  • Mainstage
  • Trip-Hop

Puma Blue blurs trip-hop, downtempo, and intimacy on 'Croak Dream' [Album Review]

  • February 13, 2026
View Article
  • Hip-Hop
  • Indie
  • New Music
  • Soul
  • Soul-Hop

Tac arrives in the form of his long awaited solo debut 'SLE…EP' [Album Review]

  • February 13, 2026
ZAYLE
View Article
  • Electronic
  • Hip-Hop
  • Rap

ZAYLE dives into the cinematic world of emotions with electronic single "Control"

  • February 12, 2026
A-Boogie wit da Hoodie
View Article
  • Exclusive
  • Hip-Hop
  • Industrial
  • New Music
  • Premiere

A Boogie Wit da Hoodie’s New Project “Before Artistry” Drops This Friday

  • February 11, 2026
View Article
  • Gospel
  • Indie
  • New Music
  • Pop
  • Soul

‘Giver of Life’ by The Covenant Brothers shines bright

  • February 11, 2026
View Article
  • Rap

DaForce captures moving forward with quiet strength on newest single "Survival"

  • February 10, 2026
Popular Music
  • La Leurentop is at her vulnerable and sensual best on new single "QUEEN"
    • February 18, 2026
  • Marcus432
    Marcus432 reclaims the spotlight with “Sorry Not Sorry” featuring Lil Pump
    • February 18, 2026
  • T-RAN
    T-RAN’s “More of You” turns surrender into a soul-stirring contemporary christian anthem [Video]
    • February 18, 2026
  • Kamal Maroon delivers raw and unfiltered honesty on pop/R&B anthem "Black x White"
    • February 17, 2026
  • French Dogs dance through the chaos with new release, "Tucker's Having a Baby"
    • February 17, 2026
Recent Scoops
  • Georgina Willis delivers compelling environmental documentary 'INSECT_O_CIDE'
    • January 21, 2026
  • J Consult : Transforming hit music into a bankable financial asset
    • January 14, 2026
  • Antania signs with Soundworks Direct Japan as futurist death metal takes hold
    • January 6, 2026
  • Moises "MO" Santizo introduces fresh concept of experiencing interviews through vinyl
    • January 5, 2026
Community Voices
  • From Machismo To Mujeres: Women As The Face Of Reggaeton
    • July 14, 2022
  • Tyler the creator
    4 things I learned on the 'Call Me If You Get Lost' tour
    • March 31, 2022
  • 4 things every artist needs to think about in 2022
    • January 27, 2022
  • The TikTok Takeover of Hip-Hop
    • January 11, 2022

EARMILK EARMILK
  • Jobs
  • About EARMILK
  • Privacy Policy
  • Contact Us
  • Submit Music
All Milk. No Duds.

Input your search keywords and press Enter.